Fei and her people have lived on the top of their mountain for generations. Hundreds of years ago, they also lived and farmed the fertile valleys beyond the mountain pass, but an avalanche blocked the pass, and ever since they have been dependent on the line keeper.
The line keeper sends food and supplies via zip cord, which has always been there and leads no-one-knows where.
But the line keeper only sends the supplies in exchange for the metal mined on the mountain top, and when the villagers begin to lose their sight in addition to their widespread and complete loss of hearing (also generations ago--no one on the mountain even knows what sound is), and they begin to send less and less ore, the line keeper sends less and less food.
It's only fair.
As an artist, it is Fei's job to record the daily life, to preserve the history in text and picture, to capture the growing crowd of beggars who have lost their sight and have never had sound. Beggars who can do nothing but sit in silent darkness, slowly starving, waiting for handouts from a dwindling food supply.
Fei is to observe, never interfere. She is separate from the lower working classes of miners and servants.
Except Fei herself grew up in a mining family. The boy she loved but can never marry (Li Wei) is a miner still. And when her sister, the last surviving member of her family, begins to lose her sight, Fei can no longer simply observe . . . So when an avoidable tragedy claims the life of Li Wei's father and he decides to climb down the mountain and confront the line keeper, Fei decides to go with him.
Something must change.
What follows is an incredible journey of discovery. Of life off the mountain. Of lies and abuse. Of kernels of truth in old stories. Of determination and hope and perseverance. Of new beginnings.
A truly lovely, beautifully written story.
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